نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی کارشناسی ارشد ادبیات تطبیقی، دانشگاه رازی، کرمانشاه، ایران.
2 پژوهشگر زبان، فرهنگ و ادبیات هورامی
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
The foundation of classical Kurdish literature is rooted in the Hawrami (Gorani) divans composed by notable poets such as Besarani, Mawlawi, and Seydi, among the most renowned figures in this tradition. Before the establishment of Sulaymaniyah, Hawrami (Gorani) served as the primary written language of Kurdistan. However, with the rise of the Baban Dynasty to power, the Sorani dialect supplanted Hawrami as the standard language. As a result, Hawrami literature lost its prominence after a thousand years and underwent a late reform. During Seydi’s era, Hawrami poetry gradually incorporated prosodic forms in addition to the ten-syllable Masnavi meter, and after Mawlawi, classical poetry underwent significant changes in both form and content. Following the emergence of the Ruwange and Kifri literary schools, Hawrami poetry began to evolve, breaking free from the constraints of meter and classical structure. This research attempts to analyze half a century of renaissance in Hawrami poetry. The results indicate that in the 1970s, a new wave of poetry emerged in free form, influenced by Sorani Kurdish new poetry. Furthermore, classical poetry, characterized by the 5+5 syllabic meter and prosodic meter, has experienced notable changes in content. Among the prominent features of contemporary Hawrami poetry, one can identify the breadth of themes, the representation of lived experiences, the increasing presence of women poets, and the emergence of literary criticism alongside this movement.
کلیدواژهها [English]
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