نوع مقاله : مقاله پژوهشی
نویسندگان
1 گروه زبان و ادبیات فارسی، دانشگاه رازی، کرمانشاه، ایران
2 عضو هیئت علمی گروه زبان و ادبیات فارسی، دانشگاه رازی، کرمانشاه، ایران
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
The socio-political context is one of the key factors influencing the emergence of literary genres. During the late nineteenth century and the first half of the twentieth century, Kurdish society witnessed numerous revolutions and uprisings that collectively ushered in a new wave of modernity in Kurdish literature. Abdullah Goran and Osman Muhammad stand at the forefront of the emergence of modern Kurdish poetry, and through their structural innovations, this literary movement has undergone significant developments to the present day. Pierre Bourdieu, the French sociologist and philosopher, developed the theory of practice by linking it to concepts such as habitus and field, thereby transcending the rigid dichotomy between subjectivism and objectivism. He argued that the actions of social agents are shaped simultaneously by their dispositions and by the social environment in which they operate. Drawing on Bourdieu's theory of practice, this study employs a descriptive-analytical method and a comparative approach to examine the works of these two poets. It investigates the socio-political conditions of the period and their impact on the emergence of modern Kurdish poetry. The findings indicate that the modernist innovations of Goran and Osman Muhammad cannot be attributed solely to their intellectual outlook or personal commitment to modernism. Rather, Kurdish uprisings throughout Kurdistan and the migration of Kurds to Istanbul, together with the poets' diverse forms of capital, social positions, and habitus, played a significant role in breaking with traditional Kurdish poetic norms through their works.
کلیدواژهها [English]
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